Mit Ivy Lab Track für Track durch ihre Compilation Volume 2

Ivy Lab sind für Hyponik einmal die komplette Tracklist ihrer neuesten Compilation durchgegangen und plaudern ein wenig aus dem Nähkästchen. So erfahren wir, was sie an einigen Tracks so begeistert und warum sie genau diese Artists auf 20/20 haben wollten. Ich finde sowas immer sehr interessant und die Antworten sind auch durchaus lustig und informativ, es ist also definitiv kein 0815-Promo Gelabere…

01. Deft ­- Holon

A core member of the 20/20 crew, Deft has been with us since day one. Holon channels that classic ‘Rufige / Metalheadz’ pallete of sci-fi meets dancehall meets Belgian nose-bleed.

02. Ivy Lab ­- Ghee

This one represents the rowdiest end of our repertoire; mixing neuro elements with MPC beat-work & spiky 303 motifs .It’s an exercise in massaging hip hop grooves into sound design more common to neurofunk drum n bass.

03. Fixate – ­Rickety Cricket

The Exit Records inductee makes a guest appearance for us with this jingle/jangle off-kilter banger. It’s essentially 100% percussion with incidentals thrown in for interest and punctuation, but is as pure a piece of drum work as you’ll ever hear.

04. Sinistarr -­ #accidentaldeathing

The very first track we signed for the project. Detroit refugee Sinistarr has been crafting all kinds of sick beats from his new found locale in Canada, and this was the stand out track from that recent batch. Trappy enough to be infectious, not so trappy that it becomes a 2013 cliche.

05. Ivy Lab ­- Shamrock VIP

Shades of Ludacris’ ‘Southern hospitality’ in this reworking of the flagship beat from the Volume.1 LP. Still got that menacing feel with a chop’n’screwed overture, but way more frantic and less sleazy than the original.

06. Havelock -­ Badbwoysound Ft. Ivy Lab

Havelock is about to blow and we’re gonna be there to help him in any way we can. Dude is dropping 3 or 4 fire-level beats per week at the moment. ‘Badbwoysound’ is perhaps a little more familiar in its template than much of his newer material. Triplet-bass hypnotically flowing over a frantic footwork-grooved beat, with the only aspect of melodic supplementation coming from the dancehall hook, looped to the edge of annoyance then reigned back in again.

07. Balatron -­ Poseidon

Rowdy viking music from hairy Icelandic dark-beats merchant Balatron. His heritage is easily witnessed through his bootleg flips of Busta Ryhmes & LL Cool J, but that heritage is always paired with sinister elements and moodiness as best demonstrated in this beat.

08. Ivy Lab ­- Socket

Classic ‘3 elements at a time’ Ivy Lab music. Beats, bass, hook and not a lot else. Less is more with this one. What might be less easily picked out is the crackling fire and scrunched paper reinforcing the bassline to make it weightier.

09. Phazz ­- Caution

Although mainly known for very grand melodies in r’n’b tinged / Soulection-esque / post-trap club tracks, Phazz spent a portion of his formative years occupying rowdier corners of the electronic music spectrum as shown in last year’s killer freebie ‘Insomnia’ and once again here for the compilation.

10. Shield -­ Slang Ft. Ivy Lab

Lot of swagger and laziness to this track; pairing Shields’ attention to groove and mutant bass with the Ivy Lab preference for a crunchy hip hop drum kit. Super OTT sound design and a bucket load of incidentals make this possibly the most complex track on the compilation.

11. Fracture -­ Give It To Me

Fracture is a verified breaks-work / drum programming legend expanding on what he currently does best; channelling the spirit of jungle into a millennium-production template whilst treading the very edge of “unofficial bootleg/remix” territory. Formation Records might well be sending their lawyers our way.

12. Havelock ­- Untitled Brock

The virtue of ‘Untitled Brock’ is as much about aesthetic as it is a composition. Capturing a flawed-cum-analog mix is essential to its charm making it groove along with an independence denied to most modern music as a consequence of clinical over-production. Few tracks translate warmth on such a broad range of listening environments.

13. Mr Frenkie ­- Attrakt

Frankie is a bit of an enigma, we were recently told by a fellow Russian (Greg from Teddy Killers) this guy is about to blow in the techno circuit after a co-sign to Dirtybird under a different alias?! Either way, statue or not / trajectory or not…. we just wanted to sign captivating music and this beat is both current yet futuristic; also familiar yet distinct.

14. Ivy Lab -­ Kalimba (Shorty Bend it Over)

We haven’t released so much stuff down here around 150bpm, but its proving to be a fertile territory for us and a lot of our peers at the moment. Slow enough to have the skank of 140, fast enough to capture the impatience of 160 but nestled nicely in the hinterlands. The slower pace and lushness of the melodic accent sections provide the perfect relief to an otherwise quite energetic and moody compilation.

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